First four Bars (1-4) Strum the A and low E strings twice. Then add your ring finger onto the 4th fret of the A string. Strum the A and low E strings twice more. You then repeat all of the above to complete one bar.

What is the strumming pattern for 12 bar blues?

First four Bars (1-4) Strum the A and low E strings twice. Then add your ring finger onto the 4th fret of the A string. Strum the A and low E strings twice more. You then repeat all of the above to complete one bar.

What is a blues shuffle?

The blues shuffle is a beat based on swinging eighth-note triplets. It should sound like four sets of train wheels bumping along the rails. To play a shuffle, give the triplets a swing feel: ONE two-three, TWO two-three, THREE two-three, FOUR two-three.

What is the 12 bar blues progression?

A 12-bar blues progression is a set chord progression that repeats every 12 bars of music. You’ll play the 1 chord for four measures, the 4 chord for two measures, the 1 chord for two measures, the 5 chord for one measure, the 4 chord for one measure, the 1 chord for one measure, then the 5 chord for the last measure.

What are the 12 bar blues chords?

The standard 12-bar blues progression has three chords in it – the 1 chord, the 4 chord, and then the 5 chord. In the key of E blues, the 1 chord is an E, the 4 chord is an A, and the 5 chord is a B. Let’s talk about blues rhythm.

What is a blues melody?

Blues songs are often texted, and the lyrics consist of a lyric line which gets repeated, then followed by a contrasting line (aab). Melodies often follow this structure. Blues melodies often leave large gaps to allow for call and response between the melodic instrument and other instruments.\

Which scale is used in the blues?

The blues scale is a six-note progression that sounds right at home in blues, rock, and country music. This scale is essentially the pentatonic scale plus one chromatic note, often called the blue note.

What chords are used in the blues?

The primary harmonic structure of the blues is the I-IV-V progression, which derived from church music of the South. Unlike most tonal music, which uses dominant 7th chords (1–3–5–b7) as functional harmony, the blues uses them to add color, most commonly in a 12-bar form (FIGURE 1).