Turning the vocal fader down will make it seem wetter and more distant, while turning it up will make it drier. If that’s the effect you’re going for, than pre fader is the way to go. However, this could be problematic if you’re doing a lotta vocal automation, for example. Same goes for pre delay sends to delays.

Should FX be pre or post fader?

Turning the vocal fader down will make it seem wetter and more distant, while turning it up will make it drier. If that’s the effect you’re going for, than pre fader is the way to go. However, this could be problematic if you’re doing a lotta vocal automation, for example. Same goes for pre delay sends to delays.

When should I use parallel compression?

Although most commonly used on drums and vocals, parallel compression can be used whenever you need to increase the presence and punch of an instrument, but still want to keep the dynamic quality of the original audio.

What should you parallel compress?

A very common use for parallel compression is on drums. If you are trying to tame drums in a mix and insert compression on every channel, you’ll likely destroy all the dynamics and end up making them sound very tiny once all the other instruments are played over top of them.

What sends typically Should I send pre fader?

Any pre fader send could still be pre or post EQ. In a live situation, pre fader and pre EQ sends are usually best where the mixer may be feeding stage monitors.

Should I use parallel compression on drums?

If you want your drums to sound punchier and more impactful, parallel compression may be the answer. First add sends on all of your drum tracks and send them to your parallel compression track. Generally, you want to send more of the kick, snare and toms than the overheads.

What are the best vocal compression settings?

Here are my go-to compression settings for vocals:

  • Ratio: 1.5:1.
  • Attack Time: 15ms (but up to 30ms for more punch)
  • Release Time: 40ms.
  • Threshold: -24dB.
  • Gain Reduction: 2-3dB.
  • Knee: Soft.
  • Makeup Gain: 2dB.

When would you use a pre fader?

If the level of the wet signal did not follow the level of the dry signal, the effected signal would still be heard after the channel fades out. A pre-fader Aux Send taps the incoming signal from the channel at a point that is before the channel fader.

Is parallel compression good?

With parallel compression you can easily control the dynamics of an instrument without making it sound like it’s been compressed. In other words, it’s great at natural compression. It’s also really helpful if you want to make an instrument punch through a mix.

What is parallel compression?

What is parallel compression? Parallel—or New York style—compression is a technique where the dry (uncompressed) signal is blended in along with the compressed signal. By mixing in some of the dry signal, you can easily retain the original dynamics of the sound—even if you’re using extreme compression settings.

What is the difference between pre and post EQ?

If you set the switch to PRE, the direct signal is before the amplifier’s equalization section. When set to POST, the direct signal comes after the equalization. What this means is that amps with this switch lets you control how much of your sound is available to be adjusted by the engineer.